2001-2002
Undergraduate Calendar | 2001-2002
Undergraduate Calendar |
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| 2001-2002 UNDERGRADUATE CALENDAR: COURSES | ||
| Carleton University |
Music Courses
Not all of the following courses are offered in a given year. For an up-to-date statement of course offerings for 2001-2002, please consult the Registration Instructions and Class Schedule booklet published in the summer.The majority of courses are open to non-Majors; students are advised to consult the Discipline.
Music 30.101*
A History of Western Classical Music: Medieval to the Present
Western classical music from the medieval period to the present. Major historical periods (Medieval, Renaissance, Baroque, Classical, Romantic, Modern, Postmodern) are examined through representative music ranging from Gregorian chant to contemporary experimental trends.
Precludes additional credit for Music 30.100.
Lectures three hours a week.
Music 30.102*
Introduction to the History of Popular Music
History of world popular music from the nineteenth century until the present. Topics may include the growth of the music industry, the impact of technology, stardom, world music, the role of the press, copyright, censorship, and sexuality.
Precludes additional credit for Music 30.100.
Lectures two hours a week, discussion one hour a week.
Music 30.116*
Elementary Materials of Music I
An introduction to the rudiments of music and aural training. Not available to B.Mus. students or those with sufficient expertise to enrol in Music 30.171*.
Precludes additional credit for Music 30.115.
Lectures three hours a week.
Music 30.117*
Elementary Materials of Music II
A continuation of Music 30.116*. Successful completion of this course will fulfill the prerequisite for entry into Music 30.171*. Not available to B.Mus. students or those with sufficient expertise to enrol in Music 30.171*.
Precludes additional credit for Music 30.115.
Lectures three hours a week.
Music 30.171*
Theoretical Studies I
An introduction to tonal thinking, with emphasis on the development of aural and written musicianship skills.
Precludes additional credit for Music 30.150*, 30.151*or 30.170.
Prerequisite: Permission of the Discipline.
Lectures, labs and workshops five hours a week.
Music 30.172*
Theoretical Studies II
A continuation of Music 30.171*.
Precludes additional credit for Music 30.150*, 30.151* and 30.170.
Lectures, labs and workshops five hours a week.
Music 30.190*
Performance I
Individual vocal or instrumental instruction in high culture, traditional or popular idioms, for B.Mus. students only.
Prerequisite: Audition
Individual tuition ten hours a term.
Music 30.191*
Performance II
Individual vocal or instrumental instruction in high culture, traditional or popular idioms, for B.Mus. students only.
Prerequisite: Music 30.190*
Individual tuition ten hours a term.Music 30.192*
Instrumental Ensemble I
Participation in an instrumental ensemble, by arrangement with the Supervisor of Performance and Practical Studies. Registration is restricted to students in the B.Mus. program. This course carries a 0.0 credit value and is graded Sat/Uns.
Prerequisite: First-year standing in the B.Mus. program or permission of the Discipline.
Ensemble work approximately two hours a week throughout the year and participation in concerts.
Music 30.193*
Choral Ensemble I
Participation in a choral ensemble, by arrangement with the Supervisor of Performance and Practical Studies. Registration is restricted to students in the B.Mus. program. This course carries a 0.0 credit value and is graded Sat/Uns.
Prerequisite: First-year standing in the B.Mus. program or permission of the Discipline.
Ensemble work approximately two hours a week throughout the year and participation in concerts.
Music 30.205*
Ragtime and Jazz
A survey of ragtime and jazz from their roots in pre-twentieth-century black music and white music to contemporary jazz idioms, including an examination of New Orleans jazz and Dixieland, swing, bebop, cool jazz, and free jazz.
Precludes additional credit for Music 30.225*.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.206*
Popular Musics before 1945
An examination of selected aspects of the development of Anglo-American popular musics from their roots in the nineteenth century until the shifts and tensions which led to the advent of rock `n' roll and soul in the 1950s. Genres to be examined include blues, country, the sentimental ballad, and Broadway and film music.
Precludes additional credit for Music 30.223*, 30.226* and 30.228*.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.207*
Popular Musics after 1945
An examination of selected aspects of the development of Anglo-American and world popular musics from the advent of rock `n' roll and soul to the present. Genres to be examined include early rock `n' roll, British rhythm `n' blues, Motown, West Coast music, punk, heavy metal, new wave, disco and country.
Precludes additional credit for Music 30.227*, 30.228*, and 30.229*.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.208*
An Introduction to Ethnomusicology
The basic techniques in ethnomusicology are introduced and illustrated through case studies of the folk and tribal musics of Europe, Asia, Africa, Australia and Oceania, North and South America.
Precludes additional credit for Music 30.230*.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.209*
Music of the Asian High Cultures
A comparative and analytical study of music in Asian high cultures, including India, China, Korea, Indonesia, Japan, and the Arabic world, through an examination of the music, musical instruments and theoretical systems.
Precludes additional credit for Music 30.231*.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.210*
Music in the Middle Ages
A survey of music in its courtly, national and ecclesiastical contexts from 350 until 1450, including the study of secular monophony, medieval polyphony and liturgical music.
Precludes additional credit for Music 30.200*.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.211*
Music in the Renaissance
A survey of music from 1450 to 1650, including examination of works from the Burgundian and Flemish schools, French chanson, sacred Latin music, Italian and Elizabethan madrigal, and dance music. Transitions from the renaissance to baroque style will also be explored.
Precludes additional credit for Music 30.201*.
Prerequisite: Second-year standing.
Lecture three hours a week.
Music 30.212*
Music in the Baroque Era
A survey of the major genres and composers in the period 1600 to 1750. Genres considered will be instrumental music, oratorio, motet, cantata, sonata, concerto, and opera. Some of the composers studied will be Monteverdi, Schütz, Lully, Couperin, Rameau, Vivaldi, Bach, and Handel.
Precludes additional credit for Music 30.201*.
Prerequisite: Second-year standing.
Lecture three hours a week.
Music 30.213*
Music in the Classical Era
European music from the early eighteenth century to the beginning of Romanticism. The evolution of the Classical style in important works of composers from the 1720s and the Viennese school of Haydn, Mozart, and Beethoven.
Precludes additional credit for Music 30.202*.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.214*
Music in the Romantic Era
European classical music from c.1790 to c.1910. Important genres (art song, symphony, opera, etc.) as well as individual and national styles are examined in the context of the socio-political climate of the period.
Precludes additional credit for Music 30.202*.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.215*
Twentieth-Century Music to World War II
A survey of European high-culture music from c. 1890 to c. 1945. Idioms to be examined in the socio-political climate of the period include Debussyan impressionism, Viennese expressionism, nationalism, and Stravinskyan neoclassicism.
Precludes additional credit for Music 30.203*.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.216*
Music Since World War II
A study of selected aspects of the musical avant-garde in the Western classical tradition in the socio-political climate of the post-War period. Aspects to be examined include serialism, colouristic and textural composition, music of political commitment, electronic music, musical theatre, process music and the music of chance.
Precludes additional credit for Music 30.204*.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.261*
Introduction to Writing Music I
An introduction to basic music writing skills (notation, instrumentation, practical arranging), focusing both on the acquisition of technical skills (which will be useful to students for careers in teaching, music productions, etc.) and on creative compositional skills.
Precludes additional credit for Music 30.260.
Prerequisite: Music 30.171* and 30.172*, or permission of the Discipline.
Lectures and workshops three hours a week.
Music 30.262*
Introduction to Writing Music II
A continuation of 30.261* but with more emphasis on musical creativity, incorporating workshop performances of student creations.
Precludes additional credit for Music 30.260.
Prerequisite: Music 30.261*, or permission of the Discipline.
Lectures and workshops three hours a week.
Music 30.265*
Choral Conducting
A course designed to introduce students to the special stylistic features of choral music from the Renaissance to the present as well as to a variety of practical techniques (vocal production, gesture, conducting patterns, diction, etc.).
Lectures three hours a week.
Music 30.270*
Theoretical Studies III: Common Practice
A study of the harmonic, melodic, rhythmic and formal structures of music of the common practice period, with emphasis on the development of written musical skills.
Precludes additional credit for Music 30.250*.
Prerequisite: Music 30.171* and Music 30.172*, or permission of the Discipline .
Lectures two hours a week throughout the year.
Music 30.271*
Theoretical Studies IV: Popular Music Practice
A study of the rhythmic, melodic, harmonic and formal structures of popular musics.
Prerequisite: Music 30.171* and Music 30.172*, or permission of the Discipline.
Lectures two hours a week throughout the year.
Music 30.272*
Theoretical Studies V: Aural Training
A practical study of music as an aural phenomenon. Hearing skills and aural concentration are developed through recall, reproduction, aural analysis and transcription. Sound materials are drawn from a wide range of sources, live and recorded.
Precludes additional credit for Music 30.251*
Prerequisite: Music 30.171* and Music 30.172*, or permission of the Discipline.
Labs and workshops three hours a week through the year.
Music 30.273*
Theoretical Studies VI: Practical Skills
This course is designed to give a practical study of rhythm, harmony and melody on the keyboard. The emphasis will be on vocal and instrumental accompaniment and the development of improvisation skills in a variety of styles.
Precludes additional credit for Music 30.152*.
Prerequisites: Music 30.171* and Music 30.172*, or permission of the Discipline.
Labs two hours a week throughout the year.
Music 30.290*
Performance III
A continuation of Music 30.191* for B.Mus. students only.
Prerequisite: Second-year standing and Music 30.191*, or permission of the Discipline.
Individual tuition ten hours a term.
Music 30.291*
Performance IV
A continuation of Music 30.290* for B.Mus. students only.
Prerequisite: Second-year standing and Music 30.290*, or permission of the Discipline.
Individual tuition ten hours a term.
Music 30.292*
Instrumental Ensemble II
Instrumental ensemble, a continuation of 30.192*. Registration is restricted to B.Mus. students. This course carries a 0.0 credit value and is graded Sat/Uns.
Prerequisite: Second-year standing in the B.Mus. program or permission of the Discipline.
Ensemble work approximately two hours a week throughout the year and participation in concerts.
Music 30.293*
Choral Ensemble II
Choral ensemble, a continuation of 30.193*. Registration is restricted to B.Mus. students. This course carries a 0.0 credit value and is graded Sat/Uns.
Prerequisite: Second-year standing in the B.Mus. program or permission of the Discipline.
Ensemble work approximately two hours a week throughout the year and participation in concerts.
Music 30.312*
Music in the United States in the Twentieth Century
A survey of contemporary American music. Topics include: Ives and the experimental tradition; Copland, Thomson, Harris and the American nationalists; the neoromantics; Gershwin and the third stream; and post-1945 developments in indeterminacy and minimalism.
Precludes additional credit for Music 30.312.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.313*
Aspects of Canadian Musical Heritage
Canadian music introduced through its roots in First Peoples, Anglo- and Franco-folk and notated musics that provided the foundation for Canada's concert music traditions of the twentieth century.
Precludes additional credit for Music 30.310.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.314*
Popular Musics of Canada
Popular musics by Canadians including sheet music examples from 1840s on, Canada's successes in Tin Pan Alley, in Afro-Canadian styles, and various popular expressions of the twentieth century (country, rock, rap, bhangra, First Nations contemporary, etc.).
Precludes additional credit for Music 30.310.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.316*
Popular Musics of the World
Popular musics of the world, including those of Africa, Asia, Central and Eastern Europe, Latin America, the Caribbean and Oceania. Special attention to the interaction between some world popular musics and the Western record industry.
Prerequisite: Music 30.208* or Music 30.209*.
Lectures three hours a week.
Music 30.332*
Music and Gender I
This course explores the role of gender in the theory and practice of music in western and non-western cultures. Attention is directed to women's participation in music to make good their absence from traditional accounts in music's history, significance and development.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.340*
A History of Opera before 1800
A survey of the development of opera from the beginnings to about 1800. The course deals with the major monuments of Italian, French, German and English opera, by such composers as Monteverdi, Cavalli, Scarlatti, Purcell, Lully, Gluck, Rameau, Mozart and Haydn.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.341*
A History of Opera from 1800 to 1945
A study of romantic and contemporary opera through an examination of selected works from Weber's Der Freischütz to Britten's Peter Grimes, including an investigation of national styles from Wagnerian music drama and Italian verismo to Russian realism and German expressionism.
Prerequisite: Second-year standing.
Lectures three hours a week.
Music 30.342*
Film Music
This course will explore the use of music in film, from the silent era to the present day, studying the techniques, styles and theory of film music through the examination of selected films. (Also listed as Film Studies 19.342*)
Prerequisite: Second-year standing.
Lectures three hours a week, screening two hours a week.
Music 30.343*
Music Industries
An introduction to the structure and history of the music industries. (Also listed as Mass Communication 27.344*.)
Prerequisite: Second-year standing
Lectures three hours a week.
Music 30.344*
Music, the Law and Morality
An introduction to the relationships that have developed between music, the law and moral issues. Special attention will be paid to issues of copyright information, censorship, obscenity, and to the phenomenon of moral panics. (Also listed as Law 5l.357*)
Prerequisite: Second-year standing
Lectures three hours a week.
Music 30.360
Composition I
An introductory course in composition designed to enable students to develop abilities in the writing of original music. The study and application of modern and contemporary styles and techniques are emphasized.
Prerequisite: Music 30.261* and 30.262*, or permission of the Discipline.
Seminar two hours a week.
Music 30.363*
Computer Music Techniques
An introduction to the techniques of sound synthesis primarily through practical experience at the digital synthesizer and computer. This course includes the basics of machine operations, software and computer applications to composition and synthesis. Enrollment in this course is limited.
Prerequisite: Second-year standing.
Lectures three hours a week, plus individual studio time.
Music 30.364*
Computer Music Projects
A continuation of Music 30.363*. The various applications of digital equipment are examined through the realization of original projects. Students may focus on studio composition, software development or analytic research. Appropriate compositional techniques and problem solving strategies are also discussed. Enrollment in this course is limited.
Prerequisite: Music 30.363* or Second-year standing.
Lectures three hours a week, plus individual studio time.
Music 30.370*
Theoretical Studies VII: Seminar in Theory Topics
A study of a selected topic in music theory. Topics will change yearly and may include: methods of music analysis; analysis of selected works; styles and structures of common practice or post common practice period; 16th or 18th century counterpoint; history of music theory.
Precludes additional credit for Music 30.350*.
Prerequisite: Music 30.270* or permission of the Discipline.
Seminars three hours a week.
Music 30.371*
Theoretical Studies VIII: Jazz Styles and Structures
Techniques of arranging and composition for small and large ensembles will be studied through the examination of selected works drawn from the jazz repertoire. Works will be selected for stylistic and theoretical analysis, for exercises in aural recognition, and for arranging purposes.
Precludes additional credit for Music 30.423* (taken in 1994-95) or Music 30.424* (taken in 1995-96).
Prerequisite: Music 30.271* or permission of the Discipline.
Workshops three hours a week.
Music 30.390*
Performance V
A continuation of Music 30.291* for B.Mus. students only.
Prerequisite: Third-year standing and Music 30.291*, or permission of the Discipline.
Individual tuition ten hours a term.
Music 30.391*
Performance VI
A continuation of Music 30.390* for B.Mus. students only.
Prerequisite: Third-year standing and Music 30.390*, or permission of the Discipline.
Individual tuition ten hours a term.
Music 30.392*
Instrumental Ensemble III
Instrumental ensemble, a continuation of 30.292*. Registration is restricted to B.Mus. students. This course carries a 0.0 credit value and is graded Sat/Uns.
Prerequisite: Third-year standing in the B.Mus. program or permission of the Discipline.
Ensemble work approximately two hours a week throughout the year and participation in concerts.
Music 30.393*
Choral Ensemble III
Choral ensemble, a continuation of Music 30.293*. Registration is restricted to B.Mus. students. This course carries a 0.0 credit value and is graded Sat/Uns.
Prerequisite: Third-year standing in the B.Mus. program or permission of the Discipline.
Ensemble work approximately two hours a week throughout the year and participation in concerts.
Music 30.406*
Issues in the Study of Popular Music
An introduction to current issues in the study of popular music. The course will be organised around a series of case studies.
Seminars three hours a week.
Music 30.413*
Topics in Ethnomusicology
Issues of anthropological, sociological, and analytical approaches are examined in the context of detailed analyses of selected musical traditions. Also offered at the graduate level, with additional requirements, as Music 30.513, for which additional credit is precluded.
Prerequisite: Fourth-year standing.
Seminars two hours a week.
Music 30.414*
Musics of Canada's First Peoples
The context and significance of musical expressions for representative Nations in each of the Canadian geographical regions, Maritime, Eastern Nomadic, Eastern Sedentary, Plains, Western Subarctic, Plateau, Northwest Coast, and Arctic, are examined from the pre-Contact period to the present. Also offered at the graduate level, with additional requirements, as Music 30.512, for which additional credit is precluded.
Prerequisite: Fourth-year standing.
Seminars two hours a week.
Music 30.419
Specialized Studies
A course designed for Music Honours students who have acquired an extensive background through courses in theory, musicology or composition. The course offerings change from year to year.
Prerequisite: Permission of the Discipline.
Lectures and seminars three hours a week.
Music 30.420*
Special Topics
Courses focusing on one selected aspect of music, in the area of either musicology, theory or composition. The course offerings change from year to year.
Prerequisite: Permission of the Discipline.
Lectures and seminars three hours a week.
Music 30.421*
Special Topics
Courses focusing on one selected aspect of music, in the area of either musicology, theory or composition. The course offerings change from year to year.
Prerequisite: Permission of the Discipline.
Lectures and seminars three hours a week.
Music 30.425*
Specialized Studies
Courses designed for Music Honours students who have acquired an extensive background through courses in theory, musicology or composition. The course offerings change from year to year.
Prerequisite: Permission of the Discipline.
Lectures and seminars three hours a week.
Music 30.426*
Specialized Studies
Courses designed for Music Honours students who have acquired an extensive background through courses in theory, musicology or composition. The course offerings change from year to year.
Prerequisite: Permission of the Discipline.
Lectures and seminars three hours a week.
Music 30.429
Specialized Studies
A course designed for Music Honours students who have acquired an extensive background through courses in theory, musicology or composition. The course offerings change from year to year.
Prerequisite: Permission of the Discipline.
Lectures and seminars three hours a week.
Music 30.430*
Notation of Medieval and Renaissance Music
An introduction to the notation of medieval and renaissance music with emphasis on the major paleographic and transcriptional problems to be encountered in early chant notation, square and Franconian notations, the innovations of the Ars Nova and mannerist phases, white notation, and various lute tablatures. Examples are selected, for detailed study and transcription, from the ninth to sixteenth centuries.
Prerequisite: Music 30.210*, Music 30.211* or permission of the Discipline.
Lectures three hours a week.
Music 30.433*
Music and Gender II
This course explores the relationship between the social and formal organization of music and the social and formal organization of sexual difference. A principal focus of the course is to understand the role of music in the social construction of gender as well as the role of gender in the determination of musical style and taste.
Precludes additional credit for Music 30.333* or Music 30.424*(taken in 1992-93).
Prerequisite: Music 30.332* or permission of the Discipline.
Seminars three hours a week.
Music 30.442
Film Music Analysis
An examination through selected films/programs of approaches to understanding music as an integral dimension of film and television. Emphasis will be placed on theories of signification in both film/television and music, and how they can be understood to relate. (Also listed as Film Studies 19.422*.)
Prerequisite: Music 30.342* or Film Studies 19.342*, or permission of the Discipline.
Lecture and screening three hours a week, seminar one and one-half hours a week.
Music 30.460
Composition II
A continuation of Music 30.360 for students who possess a displayed aptitude for composition. The course centres on the writing of original works of substantial proportions and for a variety of media. Students are encouraged to prepare some of their music for public performance.
Precludes additional credit for Music 30.360, 30.460, 30.460* or 30.496.
Prerequisite: Music 30.360 or permission of the Discipline.
Seminar two hours a week.
Music 30.470*
Theoretical Studies IX: Seminar in Theory Topics
A study of a selected topic in music theory. Topics will change yearly and may include: methods of music analysis; analysis of selected works; styles and structures of common practice or post common practice period music; 16th or 18th century counterpoint; history of music theory.
Prerequisite: Music 30.270* or permission of the Discipline.
Seminars three hours a week.
Music 30.471*
Theoretical Studies X: Jazz Styles and Structures
This course is similar to Music 30.371* and may be taken in lieu of Music 30.371*. Students taking both courses, in any order, will be expected to demonstrate a development of their own techniques throughout their individual course of study.
Prerequisite: Music 30.271* or permission of the Discipline.
Workshops three hours a week.
Music 30.473*
Performance Practice
A seminar to examine how music in earlier periods of the Western tradition was performed, the "authentic" movement of the twentieth century, and the boundaries within which compositions of Asian high cultures and jazz and popular music standards can be realized.
Prerequisite: Permission of the Discipline.
Seminars three hours a week.
Music 30.480*
Practicum in Music
Practical experience in music-specific projects such as recording studios, librarianship, research, multimedia, etc. at local institutions. A maximum of one credit of practicum may be offered in fulfilment of Music requirements.
Prerequisites: Honours Music registration with Third- or Fourth-year standing and a B+ or better average in Music courses; or permission of the Discipline.
Music 30.481*
Practicum in Music
Practical experience in music-specific projects such as recording studios, librarianship, research, multimedia, etc. at local institutions. A maximum of one credit of practicum may be offered in fulfilment of Music requirements.
Prerequisites: Honours Music registration with Third- or Fourth-year standing and a B+ or better average in Music courses; or permission of the Discipline.
Music 30.490
Performance VII
A continuation of Music 30.391* for B.Mus. students only. This course may not be taken in addition to or concurrently with Music 30.497.
Prerequisite: Fourth-year standing and Music 30.391*, or permission of the Discipline.
Individual tuition twenty hours a year.
Music 30.492*
Instrumental Ensemble IV
Instrumental ensemble, a continuation of 30.392*. Registration is restricted to B.Mus. students. This course carries a 0.0 credit value and is graded Sat/Uns.
Prerequisite: Fourth-year standing in the B.Mus. program or permission of the Discipline.
Ensemble work approximately two hours a week throughout the year and participation in concerts.
Music 30.493*
Choral Ensemble IV
Choral ensemble, a continuation of 30.393*. Registration is restricted to B.Mus. students. This course carries a 0.0 credit value and is graded Sat/Uns.
Prerequisite: Fourth-year standing in the B.Mus. program.
Ensemble work approximately two hours a week throughout the year and participation in concerts.
Music 30.496
Honours Portfolio in Composition
The course requires the composition of an original work of substantial proportions, with an accompanying analytical paper. Application to the Discipline for permission to register must be received by 1st September. This course will be double weighted in the calculation of the Music GPA.
Precludes additional credit for Music 30.460.
Prerequisite: Fourth-year standing, Music 30.360 and permission of the Discipline.
Music 30.497
Graduating Recital
The course requires a public recital arranged in consultation with the Supervisor of Performance and Practical Studies and will be double-weighted in calculating GPA. An outline of the program must be submitted one week before the last day for course changes.
Precludes additional credit for Music 30.490* or Music 30.490.
Prerequisites: Fourth-year standing in the B.Mus. program, Music 30.391*, and permission of the Discipline.
Individual tuition twenty hours a year.
Music 30.498
Honours Essay in Musicology
An Honours research essay of approximately 50 pages. A written outline of the project must be submitted to the Honours committee one week before the last day for course changes. This course will be double-weighted in the calculation of the Music GPA. This course is subject to the Faculty regulations on the Honours Paper or Research Essay (see p.67).
Prerequisite: Fourth-year standing and permission of the Discipline.
Carleton
University
2001-2002 Undergraduate Calendar
1125 Colonel By Drive, Ottawa, ON, Canada K1S 5B6
General enquiries: (613) 520-7400
Comments about Calendar to: CalendarEditor@carleton.ca